Musicwoodstock Part Art

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Prophetic Music & The Arts

Experience the revelations of God through prophetic music, worship and the arts.

I believe that music and art is the language of God's heart and when we abide in Him, He communicates with our heart through music and song, revealing Himself to us and giving us revelations of His love and identity. In turn, we communicate to His heart our adoration and awe of who He is and all that is in Him. This is my definition of prophetic worship. As words connect with our minds, music connects with our heart. Music is able to convey a message which only our heart can understand. If our heart could speak, it would come out music. You can "feel" music and it provokes an emotional response. Through prophetic music and the arts, we are able to relate to His emotions, His pain and His love. Prophetic music and art can capture the very heartbeat of God in a song, a tone, or a brush stroke, or even a splash of paint. We can experience prophetic revelations through many different styles of music and art as well. After all, God is the Master Creator. He creates through us and speaks to us through His vast and beautiful creation. God loves to communicate with us through prophetic music and art... Of course there are so many other ways in which the Lord will speak to us, but there is something about prophetic music and art that can communicate His love and carry us into the very heart of God Himself... the Oracle Flame. The "Oracle" was the innermost sanctuary of the temple in the Old Testament where the glory of God resided. It is the inner nucleus of all that is Him and is now accessible through the conduit of His blood. This is the place in which we encounter the energy of God, which is His love. An "oracle" is also a revelation or a place of revelation. A place in which we experience the immensity and fervor of this love in it's many facets and expressions. Only here may we know Him. Only here may we be transformed into His likeness and reflect the light of His glory. Only here may we know true love. Only from this place may we truly love. Here we fall in love with Him again and become His Bride. Here we receive His authority, His power, His energy, the all-encompassing, eternal force of God... love. In the Oracle there is a Flame. A massive, raging, roaring, violent, searing, all-consuming pillar of fire. This fire is His love. It is the source of all that is good. It is life, it is the very energy that sustains us. It was the creative force that caused the universe to be. It is His life-giving and death-crushing power, which heals and destroys. It is a balm and it is a weapon. It is the nucleus of life itself. The Lord wants to fan these flames of love upon us until we are completely consumed in it. Here we must abide. Here we must remain, never to leave. He is calling us to abide in the Flame, to live in the Flame and to become the Flame. To be flames of love in this dark age. When we engage the Flame and immerse ourselves in His love, we will take on His nature, we will become like Him. We will become His intermediaries on the earth, just as a bride represents her husband. We will be His emissaries of love, directly channeling this life-giving energy into the hearts of those with whom we connect. This is the power which transforms entire communities, it is the power which heals our land, it is the power which can disarm the greatest of foes. It is not our knowledge or words or actions or faith alone which can do this, but love. Through His love, we receive His vast knowledge. His words will be on our tongue. We will act out of love and have the faith of a child. Our very existence will be love. Everything we do will be motivated by love. Love will be the source and root of all that we are, all that we say and all that we do. We are called into the heart of God. He is inviting, enticing and drawing us into the realm of His holy presence. He has been softly whispering and gently persuading, and now He is persistently beckoning, adamantly warning, intently shouting and fiercely roaring. He is desperately crying out to us to come away with Him to the intimate love chamber of His heart. Will His Bride respond? My heart is to see the Church return to the source, return to the Flame of their first love to become once again His true Bride on the earth. My vision is to see His Bride arise to her rightful place of authority beside her Lover in a perfect and death-defying union which will cause even the greatest of Hell's beasts to tremble in sheer terror. It will cause the entire world to stand in awe. It will cause angels to salute in respect. We have not known this kind of power because we have not known this kind of love. In His love we will have greater vision because we will see through His eyes. In His love we will have the courage to follow our dreams because we will be motivated by love. In His love, we will abandon all fear, we will know His truth, we will feel His emotions, we will speak His words. Our hearts will beat with His love. We will absorb His nature. We will be one with Him. We must abide in His love continually and let His flame consume us. We must get back to the Oracle Flame and here we must remain. My purpose is to allow the heart of the Lord to communicate with His Bride through the spiritual conduit of music and art and to allow our hearts to communicate back to Him in worship. When this exchange takes place and we truly have a revelation of who He is, we will then have the authority to prophesy to the nations the mysteries of God and the wonders of His love. This prophetic worship is the key. My vision is to facilitate a journey into the heart of God through prophetic worship, to express and declare His heart, passion, emotions and message to His Bride and to the nations of the world through a revelation of His love in the Oracle Flame.

Musicwoodstock Part Rock Music

Rock Music: the Popular Type of Music
Rock music is a well accepted form of music, which is a combination of drums, guitars and bass. This music uses keyboard instruments like piano, synthesisers, organ, etc. There is a band of musicians who focus only on rock music and they are called rock band. Rock music is becoming increasingly popular throughout the world. Hard rock is specially liked by the western youth.
Today, people are crazy about music. They want to listen their favourite music whenever they have leisure time. Music is created to give you pleasure. The fascinating world of music lets you enjoy music in one form or other. There are various types of music these days: pop music, folk music, jazz music and rock music. All these type of music are enjoyable to hear. The songs take you through different emotions. Rock music is loud and fast than anything you’ve heard before.
In 1960, British and American rock bands became popular. Bands like Alice Cooper, Judas Priest, Queen, Black Sabbath, etc. are some of the famous bands. In 1980,the genre that was quite popular was glam metal. The various artists like Twisted Sister, Guns N' Roses, Bon Jovi, Queen, Kiss, Sweet and the New York Dolls were the artists of 1980’s.
This type of music became popular in the 1950s in America and Europe. This famous music is mainly based on older musical styles like the rhythm and blues music originated by African American performers such as Chuck Berry and Little Richard. The music has a heavy focus on guitar, drums and powerful vocals. The most popular artist of rock music in the early days was Elvis Presley. His dance and powerful music can surprise anyone. “The Beatles” became successful in the 1960’s. This group was inspired by Blues and rhythm.
Rock music is evolving itself and coming in a variety of styles. Other music forms like heavy metal are also a form of rock music. Some of the heavy metal bands include Metallic and Megadeth. Rock music comes in a wide range of forms like soft pop and heavy metal. This "Rock 'N Roll" type of music became popular in 1950s and 1960s. This new sound came from many musical styles.
In the initial days, this music was admired only in small clubs and on radio. Afterwards, it became famous with the programs like American Bandstand. Then, people could view their favourite bands on the television. Many people criticised about this type of music as they did not like the loud and fast lyrics.
Rock music began with jazz music, blues tunes, etc. It also featured electrically amplified guitars, drummers and harmonicas. By the mid-1950, performers like Chuck Berry, Little Richard and Joe Turner became famous with the white audiences. Radio disc jockeys named this music rock 'n roll.
One of the best musical album, “Sticks and Stones” has everything from fun to catchy guitar riffs. It covers a range of emotions and depicts the depth of their talent. The album grabs attention with the song “Cathedral.". The catchy rock beat combines with a variety of instrumentation. The title track "Sticks and Stones" is also worth listening. The hard to resist lyrics would make your day. The instrumental track "ZOZ" is a classic jam track with brilliant double guitar interface. Another noteworthy feature of this track is the striking beats. Another beautiful track is "All Roads Lead to Home". This track shows the fast and catchy style of the band. Lastly, there is a song that most college students can appreciate. "Raise a Glass", an old Irish folk song has people singing along in the background. The album is a mixture of a broad variety of the music in the history of rock. This rock album is definitely worth listening and deserves a space on your iPod.
You can find a variety of rock music videos online and find the top tracks in the rock music charts. Don’t wait, just browse the internet to get your favourite rock

Musicwoodstock Part Blues Music

The Blues and The Style of Blues Music
Fans of the Blues Music can utilize the World Wide Web to locate extensive resources on this unique style of music found in the U.S. and beyond.
The Blues has played an important role in the history and development of American music for many years now and has been so influential that societies dedicated to the Blues have also formed in other countries throughout the world. Thanks to the World Wide Web, a broad range of information covering different Blues artists and recordings of the last century are easily accessible to every computer user interested in discovering more about this fascinating musical style. Many online resources spotlighting the Blues feature an introduction to this colorful facet of the music industry as well as various biographical descriptions and discographies of the generations of men and women, both living and deceased, who have made great contributions to the Blues over the years. Visitors to these web sites can also oftentimes read interviews with popular Blues artists and get both contact information and links to other sites on individual musicians. Some of the more comprehensive online resources break the Blues down not only according to place of origin, as in the Chicago, Detroit, Texas, and the Mississippi Delta "Sounds," but also into other categories of distinct styles, such as that of the "Slidemen" and the "Modern Electric Blues Guitarists." Other valuable resources found at Blues sites include current news and reviews of various concerts, festivals and past and present recordings by a wide variety of Blues musicians. Some Blues web sites even provide links to used recordings for sale, while, at a few select sites, Internet users may be lucky enough to find collections of sound files of songs by musical legends like Muddy Waters, John Lee Hooker, and Buddy Guy. Whether you are a serious fan of the Blues or just want to learn more about it, the World Wide Web will certainly provide you with a wealth of information on this cornerstone of American music.

Musicwoodstock Part II

Indian Music

Indian music is based on rhythms and melodies but more importantly it is replete with vibrant colors of the rich musical heritage and a wide range of vivid emotions and expressions. Read this article to know more about Indian music…

Music is the purest form of art... therefore true poets, they who are seers, seek to express the universe in terms of music... The singer has everything within him. The notes come out from his very life. They are not materials gathered from outside. ~ Rabindranath Tagore Music is truly one of the most expressive art forms, which has an universal appeal. As long as you can feel the rhythm and the harmony of the beats, you can comprehend and enjoy any type of music around the world. Indian music inherits a rich musical culture, and is replete with rhythm, harmony and emotion. Here is an attempt to capture the essence of Indian music, from the past to the present. History of Indian Music The history of Indian music dates back to 3rd and 2nd millennia BC, during the Indus valley civilizations. Archaeological studies have validated the presence of several musical instruments like harps and drums during this era. The Samaveda which is one of the four Vedas (scriptures) that includes hymns and describes the Indian music. The Samaveda states that music originated as a tool for meditation and spiritual awakening. The era starting from 1500 BC to 500 BC witnessed the Vedic music. Vedic music was supposed to be closely intertwined with the Vedic religion, since music was an imperative element of the religious Vedic rituals. Vedic music was mainly played for two reasons – please the Gods and as an accompaniment to the sacrificial offerings in the Vedic rituals. The prominent instruments of the Vedic era include veena, tunav, dundubhi, bhoomi-dundubhi and talav. . The Rigveda contains the richa which are the recited Vedic hymns. Samaveda is supposed to be the origin of Indian music. The word sama is actually a compound word made up of sa that refers to the hymns and ma, which refers to the musical notes. The Vedic period also gave rise to the Gurukul system of imparting knowledge. In this system the shishya (pupil) lived in the house of his guru (teacher) and studied the Vedas and other subjects under the guidance of the teacher for as many as 12 years. The Shiksha referred to the first branch of Vedic learning which dealt with the science of correct pronunciation of vowels, syllables and consonants. Some of the well-known Shikshas are Paniniya, Yagnyvalkya Vashisthi, Katyayani, Manduki and Naradiya. As regards to music the teachers had to teach the students the six basic aspects of Vedic music which included Varna, Swara , Matra, Bala, Sama and Santana. The varna refers to the syllables, the Swara refers to the musical notes, matrarefers to the duration, bala refers to the articulation,sama refers to the balance in overall utterance, whereas santana refers to the spacing of the words. The history of Indian music during 500 BC to 200 BC includes references of the Ramayana which was the first Indian epic composed sage Valmiki, and the Mahabharata , composed by sage Vyasa, and also sage Bharata’s Pathya Sangeet. The Pathya Sangeet was primarily developed to spread information and not considered as an entertainment tool. The Pathya Sangeet is based on six basic elements, which include the Saptaswara, which are the seven musical notes, the Sthanas, which are the three vital locations for tone production, Varnas, which are the four ways of tonal arrangements, kakus which are the tow basic modes of intonation, Alankaras, which are the sic embellishments and lastly the Angas or the six aspects of the music. Several references in Buddhist and Jain literature also have references to music during this time period. According to the Indian mythology, Narada was the first sage to whom the laws of music were revealed. It is also believed that Tumburu was the first singer, Saraswati was the goddess of music and learning and Bharata created the Natyashastra or the rules for theatre between 200 BC and 200 AD, which also focused on music. The Natyashastra includes descriptions of various classes of instruments, Gandharva music and also provides detailed information about the Talas, which refers to the rhythmic element of Indian music. The Gupta Period from 300 AD to 600 AD was marked by the masterpieces created by Kalidasa, who was a lyrical poet and a writer of several great epics and plays. His work includes numerous references to musical instruments of his era which included Parivadini vina, Vipanchi vina, Pushkar, Mridang, Vamshi and Shankha. There also existed several types of songs like the Kakaligeet, Streegeet and Apsarogeeti. In addition to this there are references of various technical terms for defining voice quality and other nuances of music, which included terms like Murchana, Swarasaptaka and Tana . The next landmark towards the evolution of the Indian ragas was the emergence of gandharva gaan which is recorded in the text Dattilam dated roughly 400 AD. The Dattilam discusses parent tonal frameworks or the grama, the twenty two micro-tonal intervals srutis, sequential re-arrangement of notes or the murchana, and the permutation and combinations of note-sequences which are known as the tanas. This text also describes eighteen Jatis which are synonymous with the contemporary Indianragas. The Period from 600 AD to 1200 AD, was marked by the emergence of the regional music, classical Hinudstani music and also the influences of Islamic music. The first major text describing ragas was written by Matanga and was known as Brihaddeshi, which literally means ‘The Great Treatise on the Regional’ Brishaddeshi also introduced the sargam which is the musical notation in Indian music. Deshi or regional music was described as that music sung by women, children and everyone else in their regions, capturing a wide range of emotions from several different regions. After this, the 9th century saw a strong influence of Sufi music. Music was an inseparable part of the Basant and Rang celebrations. The period from 1200 AD to 1700 AD was marked by several other benchmarks in Indian music including the maestro Khusro who composed verses in Persian, Turkish, Arabic, Braj Bhasha, Hindawi and Khadi Boli. Khusro was the one who is supposed to have invented qawali, qasida, qalbana, naqsh and many others forms of Indian music. Khusro is said to have created a new system of musicology, called 'Indraprastha Mata' or 'Chaturdandi Sampradaya' and also brought into circulation the two unique musical genres called 'tarana' and 'kaul'. Another important work called the Sangeet Ratnakara written by Sharangdeva provides a detailed explanation regarding the construction and the techniques of playing fourteen types of drums. The next benchmark in the history of Indian music was the Bhakti revolution in 800 BC, which spread in the north during 14th and 15th centuries. This was the emergence of music as a form of devotion, and belonged to the saint poets like Tulsidas and Kabir. Then there was the emergence of several music streams like Ashtachap and Haveli Sangeet. Information about music during Emperor Akbar's court comes from the text Ain e Akbari which mentions the rich music culture of Akbar’s time. The history includes information about instruments like sarmandal, bin, nay, karna and tanpura and numerous musical maestros including the legendary Tansen. After 1700 AD, music in India went through a continuous metamorphosis process for four centuries and finally resulted into the Hindustani as we know it today. Indian Music – Contemporary Scenario Contemporary Indian music is a blend of classical music, pop music, and the popular Indian film music. Several genres of music exist in India. Let us have a look at some of the contemporary music genres in Indian music. Indian Music - Classical Indian Classical music is now basically dividend into two broad categories namely the Hindustani music and the Carnatic music. Both the streams of classical Indian music rest on two basic elements which are the raga which refer to the melodic formulae made up of constituent musical notations, and the tala which are the rhythmic cycles in Indian classical music. The Carnatic music has its roots in the musical traditions from the southern part of the Indian subcontinent. Carnatic music emphasizes on vocals. Most of the compositions in Carnatic music are sung. Even when played on instruments Carnatic compositions are meant to be played in a peculiar fashion called gayaki which means singing. On the other hand Hindustani music is a traditional from North India. The basics of the Hindustani classical music include melodic modes called thaatsthat are a part of the ragas. Hindustani music is based on the basic system called sargam which is similar to the Western solfege, thus the Indian sa, re, ga, ma, pa, dha, ni corresponds to the western do, re, mi, fa, so, la, ti. Indian Music - Folk Folk music is an inseparable part of the Indian music scenario. The songs of the rural lands, emerging from various regions of India, are distinctive and are embedded with a strong element of the regional culture. Bhavageete which literally translates as emotion poetry' is quite popular in many parts of India and especially in Karnataka and Maharashtra. A very popular genre in Indian folk music is the Punjabi Bhangra music which is an accompaniment to the folk dance called Bhangra done by farmers to celebrate the spring season that marks the time of harvest. There are various folk traditions including the folk music of Maharashtra called Lavani and Gaulan and the Dandiya music from Gujrat and the Baul from Bengal. Indian Music – Pop Indian pop music is a blend of almost everything starting from folk, classical, and even western music beats. Much of Indian pop music is a part of the Indian film music however there exist bands and singers that have individually ventures into pop albums and singles. Some of the notable pop singers worth mentioning include Usha Utthup, Peenaz Masani Sharon Prabhakar from the early nineties. The successive generation of pop singers includes Baba Sehgal, Alisha Chinai, Shaan, Sagarika, Lucky Ali, and Sonu Nigam. Indian pop bands include Colonial Cousins (Hariharan, Leslie Lewis), Euphoria, Band of Boys, Asma and Viva to name a few. Even big singers like Asha Bhosale have ventured into this genre. More recently the trend of remix songs has been quite popular on the Indian pop scenario. Most of the playback singers in the Indian film industry have tried their hands at this genre. Indian Music - Film The Indian film industry is a humongous industry producing thousands of movies in various languages round the year. Indian films have always been popular for their song and dance sequences. Music has been an inseparable part of Indian movies right from the beginning. The popularity of music in Indian films is such that almost every filmmaker incorporates at least four to five songs in the movies. Indian film music is perhaps the most popular genre in the country, which is enjoyed by one and all.